Friday, October 20, 2017

AWAKENING Videos 1, 2, and 3...

September, 2017 -
From the Awakening album, ‘Ocean, Carry Me’ was recorded at the Rio Theater in Santa Cruz, CA, and features performances from Naomi Charanpal and Johanna Beekman, with footage from out in the desert at Joshua Tree and on the shores of our Pacific Ocean. Feeling blessed to be coming to the realization that we each, like a river, are flowing in to the sea and ocean of connectedness with each other, and with a ‘power greater than ourselves’…
 “Hallelujah,” the first video release from the “AWAKENING” album, honors many of the Paths that we take that lead us home, towards the Divine, towards God. With lyrics and languages that honor practices including Buddhism, Christianity, Hindu, and blessed Amma ji, the message is clear ~ it’s all leading to that same, sacred place.
And, blessed to be able to share with you now this video release from the ‘Awakening’ album – a mix of Krishna Das’ ‘Govinda Hare’ and the traditional ‘Maha Mantra.’ After recording these kirtan one instrument and vocal track at a time, it’s hard to describe the blissed-out, resonant energy happening with these beautiful souls all together at the Rio Theater last month... Deep, deep bows and gratitude to everyone there that day, and in the studio this summer, and special thanks to Greg Gilholm (Director of Photography and Editor) for bringing this vision to life, and to Krishna Das for bringing this channel to the Divine to us all. 🙏

AWAKENING has arrived!

9/01/17 -
AWAKENING has arrived, here and now 🙏 Rising out of the ashes and unfolding one song at a time over these past two years, this redemptive, joyous mix of yoga, mantra, ambient, and meditation music is right on time to be released in our world today.
Feeling overwhelmed with gratitude for everyone tagged below that helped make this album, the videos, and the live gatherings soon to come. Feeling the love, the healing, and little by little, an awakening. I hope that this music finds its way to your ears, and it it’s to be, your heart as well…



The AWAKENING album:
CDs/Downloads
Amazon: http://a.co/3AIjHET
CD Baby: https://store.cdbaby.com/Artist/MichaelJDowney
iTunes: https://itunes.apple.com/us/album/awakening/id1271020515
Sample/Streaming
Bandcamp: https://michaeljdowney.bandcamp.com/releases
Spotify (“michael j downey awakening”), Pandora, et al

Wednesday, August 30, 2017

AWAKENING almost here...

August, 2017 - AWAKENING almost here...

With the September 1st release just around the corner, many people have been asking "what kind of music is it?" After many failed attempts, like "Well, it's mantra/devotional/ambient/new age/meditation music...!” I now usually just answer "It's the kind of music you hear in a yoga class..."  
The making of this album has been a process of rebuilding and redemption after a difficult time a few years ago. And the support and love I've felt along the way is exactly what I hope is passed along through 'Awakening.' Here's a glimpse...


With Charanpal Kaur, singing "Ocean, Carry Me"

And a choir of angels singing recording "Hallelujah" at Indigital Studios and at the Rio Theater for the music video shoot.


And happy to share with you the sweet voices, bhakti bliss and laughter that these four multi-talented yoga teachers brought to the ‘Awakening’ sessions this summer at Indigital Studios. With release day coming on Friday, feeling overwhelmed with gratitude at the generosity of these women, and everyone involved in the making of this album. With Emily Perry, Daniela Kosmalski, Hannah Muse, Aruna Peters, Will Kreiser, and many others


Awakening, coming Friday, September 1st Amazon.com, Bandcamp, iTunes, Spotify, Pandora, and more!


Thursday, June 29, 2017

"Awakening" Album Coming September 1st...

6/29/17 -  And so it begins. After almost a year of writing, arranging, recording roughs… I get to emerge from my cave and gather together with such a stellar group of musician/singer friends to make “Awakening” happen. This album, a mix of devotional/mantra and ambient/new age/meditation music, is being made with the gracious help of two all-star womens’ choirs, Naomi Charanpal Kaur, Johanna Beekman, Susan Shloss, Andrew Foehner, in the capable hands of engineer/mixmaster Will Kreiser at Indigital Studios here in Santa Cruz. Here in the photo, Will is uploading the Awakening tracks onto their system, where we’ll begin our work on Monday. So grateful for this abundance…
When I was a kid, I'd spend hours setting up a really intricate Hot Wheels track, complete with hills, loop-de-loops, jumps. And then the moment comes that all that's left is to set the car at the top of the track... and release! That's kinda what today was like



My spiritual. sonic. Sister… It’s like #gettingthebandbacktogether. Yes, there’s the nose-to-the-grindstone effort, then absolute, resonant, on-the-beam ecstasy, and then just crackin’ each other up as our Midwest roots start showing. Thank you as big as the ocean, #kundalini_priestess Naomi Charanpal Kaur, for being the perfectly fitting last puzzle piece for ‘Ocean, Carry Me’. And thank you once again, Will Kreiser, for being the wizard of making things seem effortless and seamless and bringing it all to a level beyond.
After driving down from the North Bay this morning, Susan Shloss arrived at the studio before me and was warming up when I walked in. What followed with the most soul-stirring, gut-wrenchingly beautiful 3 hours of sweet violin tracks on 4 songs for the Awakening album. Yes, there were tears. Man-tears…

When the student is ready, the teacher appears… It was just a couple of years ago that I first experienced Andrew Foehner's playing (‘how does he make those sounds?!’), and this week, here we are. As Will Kreiser, the engineer, set up mics and Andrew got his tablas and djembe just right I began to be aware of how each beat entails this complex unfolding – that initial slap, that unfolds into this deep, bhakti boominess that reaches deep, deep inside. You root me, brother… deep bows.



And now, as mixing begins, the fine-toothed comb that brings it all together, it's like a fogged mirror slowly clearing, unearthing this gift that I'd only imagined, and for the first time, holding it in my hands.
 
 
 
 
 

Thursday, November 17, 2016

Japan Bridge Tour 2007 (repost)

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JAPAN BRIDGE TOUR 2007


Be here now..
Being suspended at 30,000 feet has a way of bringing you into the moment. This is my sixth trip to Japan. My second "major" tour. I remember my first real trip here, where every little detail rang with poetic urgency. Filled with expectations. Pre-conceived notions. But the beauty of having gone now as many times as I have, is that each time it seems that I'm less encumbered with both memories of the past, and expectations of the future. Yet the magic of the moment, and moments, remain.
 
I think of how fortunate I am, to be leading a life that not only allows me the freedom to do this, but has fostered being drawn to Asia itself. And in that, a renewed perspective of myself, and my home.
 
   Long-time friend & musician - Hiro, taking us out on our 1st night out on the town...
I'm also fortunate to have the many people in my life that have made this trip, and what I do, possible – the people at my 'day job,' Atusko san -my translator, tutor, and assistant, Hiro san, Duane, our road manager, the folks at DelOro Music in LA, Taeko san, Satomi san, and last but not least, the BAND – Christina Rasch and Jessica Fagre.
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DAY 1
The first day began with an irreverent walk to the Imperial Palace.

 
Then our first show in Tokyo/Akihabara - at DressTokyo.
 
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DAY 2 - Tokyo's Meguro district
 
Before the show, the real deal - at a lovely, family-run sushi bar around the corner.
Center- Duane, our road-manager, and 3 lovely artists who came to the show after dinner, and of course, Christina, who later perfomed daring feats of manual dexterity with chopsticks.
The show was at MapleHouse in Meguro. We did an hour show to a packed house and came back for an encore. THE CROWD WAS AWESOME!!! And the first bands were great - There was an acoustic/electric named MAH with great vocals and instrumentation, and a Clapton tribute band called LAID BACK HOURS that was fun too.
 

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DAY 3 -
Jet-lag and excitement continue to rob us of sleep, but the momentum seems to be more than making up for it. Hiro san came to escort us for some sightseeing before making our way to the live house for the show later on.
First, we went to Ueno Park for that must-see event - cherry blossom viewing, or "o-hanami." It is truly spectacular to see, but when you're in it, when you're there, surrounded by the colors, the people, there is a deeper resonance in participating in such a time-honored tradition, that honors that part of us that seeks out beauty, and comaraderie, and somehow a perfect stillness exists in the hustle-bustle of tens of thousands of people, all going to the same place for the same thing.
 
From Ueno, we went to Asakusa - one of the last stronholds of traditional Japan in Tokyo - with Temples, shrines, a Tori gate, hundreds of food, clothing, and souvenier booths, and of course, thousands of people, taking in a sunny, Sunday afternoon. We enjoyed yaki soba and then gave the octupus dumpling balls a try - actually quite good!
Sola (singer/violinist extraordinaire with Hiro's band), Jessica, and Christina
 
It was a memorable night at the show at Soundstream in Chiba. It felt like a homecoming, with Hiro san having arranged everything - First a jazzy, acoustic/electric band called AMBITION SOUND played, then "Hiro and Nana" acoustic guitar and violin, with superb vocals. Hiro san just had to play a song by our mutual friend, a singer-songwriter diva that I wrote "I Let Her In" about, and who also broke my heart...It was an emotional song to hear, and very beatitful. Then, Okano san's band ODDS 'N' SODS played and kicked it out with blistering versions of country-alt cover tunes, and their own songs, too.

Our set was again an hour long, and once again we were honored to be called back for an encore. It was truly a memorable night...
At one point, in between songs, I pulled out the digital camera and took pictures of the crowd, they were AWESOME!!!
  
           LEFT                              CENTER                            RIGHT
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DAY 4 - (day off / train to Hakone)
Still buzzing from the excitement of the last couple of shows, we made our way to the Shinkansen/Bullet Train to go to Hakone – a beautiful mountain, hot-spring town in the shadow of Mt. Fuji – for a day off. As it happens, the day was cool, overcast, and the higher up the mountain our taxi took us to get to the ryokan/inn, fog enveloped us as well as a fine drizzle, perfect weather for soaking in the beautiful, outdoor hot springs.
 
The meals there were amazing – a feast for the eyes, as well as the body.
And our hostess – Michiko – was an absolute sweetheart. She spoke to the girls in English, and to me in Japanese, and called me "Michele" after gracing me with her version of the beatles song "michelle, ma belle" .
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DAY 5, 6, and 7 - to Kyoto
 
Once again, hopping on a bullet train, we made our way to that venerable, historic city...Kyoto. As it was another day off for us, we hooked up with my friend Satomi, and went sightseeing. In Japan cherry blossom viewing is a national institution, and timing one's visit to coincide with this auspicious event, which lasts only about a week, can be tricky. But somehow, we ended up here at exactly the right time - It is truly a soul-inspiring, beautiful thing to experience....
The show in Kyoto was a BLAST! The other bands were a lot of fun - a goth/metal band called G.I.F.Liquidbrains, a masked dynamic trio that reminded me of Aquabats... There were some great friends I'd met on previous trips to Kyoto, some new ones from MySpace and MIXI, and a great crowd all in all...
 
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Day 8 - Osaka
We trained from Kyoto to Osaka (about 45 minutes) and played at a beautiful downtown club called the Flamingo.
 Fashionistas
 
 
 
During the tour, we've been paired with everything from "Sonic Death Monkeys" metal bands, to punk-pop-goth bouncing bettys. But the truth is, the level of talent here is amazing. Happily, the lineup of bands tonight was awesome - the acoustic guitar and percussion of "Sumpler Numpler" and the beautiful, Enigma-meets-Enya music of "Cojok."
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DAY 9 Osaka and Kobe
We started out the day with a trip to the infamous Osaka Castle, and the breathtaking surrounding park...
 
Then Duane drove us to Kobe (about an hour) for the show at Pi:z Kobe. The fans and other bands were AWESOME!!!
And out front, after the show:
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DAY 10 - To Nagoya
We rode in the tour van from Osaka to Nagoya (about 2 hours) and got to the MUSIC FARM in time for sound check. It was a rockin last show for the tour, then went out to celebrate, and back to the Sakae/downtown area where our hotel was.
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DAY 11-  Going home
After a last breakfast together at the hotel in Nagoya, we board a shuttle to Nagoya airport. As we speed by countless nearby buildings, signs, and cars, I notice the distant mountains, relatively constant by contrast. I think of the many new friends and acquaintances we've made, and the places that have come and gone, and also the handful of truly enduring, faithful friends I've made over the last few years there. Hiro san, who set up a show in Tokyo, took us out the first night, sent us all beautiful, gift-wrapped,  Japanese geisha dolls to our hotel in Nagoya, and lent his constant support by phone, email, and in his good heart.
And of Satomi, who took us sightseeing in Kyoto, went to all four of the shows in the Kansai region, some as far away as 2 hours by train, brought us presents, and made sure we were never wanting for anything.
Back in San Francisco, Atsuko was the one who set up most of the shows, booked the hotels, and scolded me for my poor Japanese
The true worth of this tour was not in how many shows we packed the house, although we did; not in the number of CDs I sold, although I did; and definitely not in the money that was made – quite the contrary – touring Japan is a costly endeavor. But the true worth of this tour, for me, was the reaction I got when everynight on stage (in Japanese) I would say that "I hope that Japan and America become better friends." Every night, that line would get a round of cheers and applause – even from the most jaded kids. And that is what this tour has been all about. Right there. Right now. Be here now.