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When I was a kid, I'd spend hours setting up a really intricate Hot Wheels track, complete with hills, loop-de-loops, jumps. And then the moment comes that all that's left is to set the car at the top of the track... and release! That's kinda what today was like ![](https://www.facebook.com/images/emoji.php/v9/fd9/1.5/16/1f64f.png)
![](https://www.facebook.com/images/emoji.php/v9/fd9/1.5/16/1f64f.png)
My spiritual. sonic. Sister… It’s like #gettingthebandbacktogether. Yes, there’s the nose-to-the-grindstone effort, then absolute, resonant, on-the-beam ecstasy, and then just crackin’ each other up as our Midwest roots start showing. Thank you as big as the ocean, #kundalini_priestess Naomi Charanpal Kaur, for being the perfectly fitting last puzzle piece for ‘Ocean, Carry Me’. And thank you once again, Will Kreiser, for being the wizard of making things seem effortless and seamless and bringing it all to a level beyond.
After driving down from the North Bay this morning, Susan Shloss arrived at the studio before me and was warming up when I walked in. What followed with the most soul-stirring, gut-wrenchingly beautiful 3 hours of sweet violin tracks on 4 songs for the Awakening album. Yes, there were tears. Man-tears…
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And now, as mixing begins, the fine-toothed comb that brings it all together, it's like a fogged mirror slowly clearing, unearthing this gift that I'd only imagined, and for the first time, holding it in my hands.
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